Portrait of Amir

Last November.2018, we celebrated my grandson Noam's Bar-Mitzva. As usual, took lots of photos, wish I had taken more. One imparticular of my grandson Amir just kept saying "paint me" He was sitting with his mobile phone and looked up as I shot the image.

I have no idea why this post was left.... time to post.
I enjoyed doing this painting but looking back I find things that could be fixed. He looks like he,s seated in the air! My constant critic!
Every painting a learning experience. Although no features are painted it is definitely Amir

Now for a painting of him drumming

Amir

Oils on gessoed cardboard

50 x 70 cm

Another Great PYHAS Lesson

I am beginning to pick and choose the lessons on PYHAS otherwise I am totally becoming overwhelmed. One of my painting goals is portraiture. Really loved this lesson and the process so much different from the way I use my oils. What I really loved with this demo was the calm soothing voice of Dominique Medici .  It really helped to keep my stress away.  This exercise was done with the Zorn palette. Black, my chromatic black of raw umber and ultramarine blue, yellow ochre, white, and cadmium red,  I dove straight in so my mixes aren't what I would like so I will go back to do a color study of the paints for my next portrait. Dominique builds the portrait in 4 majors stages each timed to about 20minutes. All done alla prima, wet on wet!  First, the proportions of the shapes and angles with thin black paint, next blocking in the darks. third blocking in the colors, and last, what she calls the edges, which include highlights and darks, soft and hard edges, textures and additional drawing with paint. When the buzzer buzzes... done! Now, how cool is that. You now know when you are finished. Dominique says that 1.5 to 2.5 hours is great for this practice. The demo was filled with lots of encouraging words. The key is to build your skills slowly. 

I think I got some of his essence. This is one process that I will practice again for sure.

Thinking of Times Gone By

Oils on Gessoed Cardboard

14 x 14.5 "

stage 3 & 4

Stage 1

Stage 2

Not complete I see

Reference

Now I see that I got his tilt wrong. Can't seem to shut up that inner critique!

Practice Practice and More Practice

Doing portraits are difficult mainly because of the likeness factor. Practice is the key! This is the second portrait for Week 12 of PYHAS 2019 taught by  Marina Teding van Berkhout. Its a portrait of my Mom I think from the early 1940s.
It's the second try on this pose, the first was in oil pastels which I didn't like. This was done with oils and cold wax in many layers and textures. There is some likeness.

Longing 

11.5 x 16.5 "

Oils and Cold Wax

Cut Canvas

 The Process

Layer 1

Prussian Blue + Permanent Mauve

Layer 2

Primary Blue + Yellow Green(mix)

Layer 3

Venetian Red + Cadmium Yellow Deep + Raw Sienna

Transferred drawing

(was altered during the painting process)

Painting was done using the colors of layer 3 varying the mixes with white, buff titanium, and raw umber. Lots of painting and scraping in the process!

That's My Last Duchess

I can't remember my English teacher's name. Hoping that it would somehow find its way through all the wiring in my brain. She was very influential and it was through her that I really started reading. Sadly up till then, it was mainly just fairytales!

I was exposed to the classics and poetry. Robert Browning one of my favorites and of course Elizabeth Barrett.

That’s my last Duchess painted on the wall, 

Looking as if she were alive. I call 

That piece a wonder, now; Fra Pandolf’s hands 

Worked busily a day, and there she stands. Robert Browning

Week 12 Figures with Oils and Cold Wax with Marina Teding van Berkhout! What a marvelous lesson. 

Four layers of oils and cold wax.  Use of various scratch tools and stencils! Took her a while to emerge, scraped her face twice. This medium is very forgiving. 

My Last Duchess

12 x 17 "

Cut Canvas

Oils Cold Wax Palette Knife Catalyst Knife

click to enlarge

Going Crazy with Color Mixing

I sometimes get obsessive with color mixing. The main reason being that I am not a good colorist so I have always loved learning about how to make good color palettes and choices. So I really had a ball with this weeks lesson on PYHAS by Sabra Awlad Issa. Wow, what packed lesson, color mixing, foreshortened portrait, values. This was a real challenge! She is an excellent and modest teacher. A real treat! 

The lesson was in acrylics but I was too stressed with the color mixing and worrying about them drying so tried doing some crayon work which also had its problems so I dived into my oils. What a difference that made. The portrait is not done but I am happy with the progress.

WIP

13.75 x 19.5 "

Oils on gessoed paper

WIP

13.75 x 19.5 "

Oils on gessoed paper

Values

First layer in acrylics ugh

Second Layer with oil/wax crayons

Now, how many colors can you mix with just the primaries? We all have heard that we can mix an infinite amount, but we all tend to buy lots of colors. My usual palette starts off with two of each of the primaries plus chromatic black, a mix from ultramarine blue and raw umber, and white. But in Sabra's lesson, she used cadmium red, ultramarine blue, and cadmium yellow to mix a whole range of what she calls "dirty colors". I just love muted/muddy colors and I almost always add a speck of medium gray to my colors. Her basic color is a mix of all three to get a dirty brown. Then she mixes each primary with a bit of that brown and continues to mix these "mixes" together etc. With the addition of white and the range gets more infinite. Of course, the ratios matter as well. So when you feel in need of some occupational therapy any red/blue/yellow and go to town.... what fun. I did mention that I am an obsessive color mixer!

Three different browns depending on the ratios

Oils

I suggest less blue!

The basic Mixes

This Brown seems to make greenish hue with the yellow

Bottom right mixed red +yellow + brown to get a dirty orange.+ added more yellow

to get a lighter orange and to each added white

Yummy

My acrylic Mixes

Yellow Mixes

Middle row mixed yellow with medium gray

bottom  medium gray with yellow

Made a value chart with my chromatic black

red red+brown added white Blue blue+brown added white

Bottom red + gray + white Blue + gray + white

Mixing the mixes 

Bottom right used Indian Yellow with the Brown + White

Red Mix + Indian Yellow mix + white

Have Fun!

Required Assignment 3: Work of Art Redux (Track A) Coursera

Required Assignment 3: Work of Art Redux (Track A)

Live!: A History of Art for Artists, Animators and Gamers

We’ve done a bit of research and have identified at least thirty artists who created work based on Velazquez’s Las Meninas. See here for a short list. Now it’s your turn. Make a work or series of works, in whatever media you choose, that takes its inspiration from Las Meninas. You can: 

• take apart and put back together selected elements of the painting (as Picasso did). 
• riff on a theme of the painting (looking and being seen, reality and reflection, a moment in time, stillness, the painter’s process, etc. Note that many of these themes have actually been modules for this course). 

Both of the above are possibilities, but there are certainly more. At any rate your approach needs to be deliberate. Consider the difference between making a “copy” of the original, “appropriating” the original (as a creative strategy) and working “off” the original. Along with your images, post a short (2-3 sentence) explanation of why you did what you did.

After much thought   I felt that Las Meminas  reminded me of the pageants for young girls that sort of exploit their femininity and sexuality.  At my weekly workshop I noticed two Barbie dolls that my friend Riva was working on and photographed them to use on my assignment.  It is a riff on the some of the themes, exploitation,reflections, looking in and being seen and in this case the "photographers" process. A photo montage plus some digital sketching. 

Haunted by Family Portrait!!!

Required Assignment 2: One Thing and Then Another (Track A)
Live!: A History of Art for Artists, Animators and Gamers  Coursera

Instructions:

Choose an object or an image.
Turn it into something else.
Then turn it back into itself again. This doesn’t necessarily have to be a major project of deconstruction or manipulation. But it could be. Or it could be just a change of context, orientation, or point of view.
Document your process and post the results with a short 3-4 sentence description of what you did.
Some things to think about:

Your object or image can be in two (flat) and/or three dimensions.
You could make the objects or collect them from elsewhere.
Your "process" could be sequential or not.
Your documentation could be a photograph, drawing, digital image or other similar visual element.
Your documentation could be one or several images. (Note: Because of the limitations of the platform and in consideration of your peers, please consider limiting the number of images you decide to include. Between 1 and 6 images should be sufficient for this assignment.)

Haunted by family portrait!!!

I took a family portrait that has bothered me over the years... perhaps it sort of haunted me.  I looked so sad while everyone else is smiling... perhaps I was jealous... my brother getting most of the attention. Well after all is was his Bar Mitzva!!! Maybe cause I didn't like the skirt I wore... my mother had hand painted a rose on it.. So it was time for a little destruction and manipulation...  The painting was  done before the course but I felt it fir the assignment.. The photo manipulation was done in the same spirit. 

Original Portrait

Oils on grey pressed cardboard

Photo manipulation

African Faces

These are large, at least for me, 60 x 80 cm canvases that were painted in 1912.. my first beginnings using the palette knife... to loosen up and get out the graphic mode...

The inspiration came from the book,Natural Fashion: Tribal Decoration from Africa by  Hans Silvester, that my artist friend Lillie brought to class.

 click to enlarge

  click to enlarge

  click to enlarge

 click to enlarge

There are lots of photography bloggers that have posted about Silvester's work and I even found another artist that did paintings using his book.  Here is one blog North Goes South  that I particularly liked.

Portrait of Asha

A new beginning... I will be blogging in only one blog.... and hopefully keep it more active.... I have also changed the title from  My 120 Painting   A Journey to just  My Journey...It will contain what ever I am doing whether its a WDE  work... daily painting... photography...  sketches.. WIP [works in progress] .... workshop paintings....  no more numbering.... I was finding it too difficult to keep track..

This January I decided to try again to do a portrait of my sister Asha [Susan] who passed away 4 years ago at 61.  I had started a portrait 4 years ago, which was not successful and was scraped off. I had tried since but never really got the likeness and the personality.... I am pretty happy with the results... I will take a better photo but in the meantime here it is.. 

WDE Entries November

Catching up with work that I done for various WDE events.

November 30 2012

Sketches  on brown paper

November 23 2012

Graphite sketches on brown paper

Added pastel color 

November 16 2012

Pencil sketch and pen and ink sketch

November 9 2012

Pen sketches

November 2 2012

Crayon sketches were done on plain bristol paper.. 17 x 24 cm