Please forgive me Archie

Archie was a neighbor. Archie was a friend. Archie was an artist, mainly sculpture but did paintings, sketches in lots of media. I inherited a lot of substrates, drawing blocks when the person that bought his house from his son, started cleaning his attic studio and threw them in the street. In some of his drawing pads, there are still some lovely charcoal sketches. On one of the boards, there was an abstract acrylic painting. I didn't have the heart to throw away. At one point I did cut it half and found one half and decided to use it as a background. It will still live on as part of new work. I am sorry that I didn't photograph the original. Now, where is that other half?

Started a few art-itude prompts Palette teal, chromatic black, white, and buff. Orange oil pastel for my first marks. Background Archie Talor! haven't really decided on its orientation,

WIP

21.5" x 15"

Oils on cardboard

Art-itude IX Castles in the Sky

 " Studio Ghosts: When you're in the studio painting, there are a lot of people in there with you. Your teachers, friends, paintings from history, critics...and one by one, if you're really painting, they walk out. and if you're really painting, you walk out." Audrey Flack Art and Soul

Re-posting this quote. Yesterday we discussed in feedback something on that line. I said that sometimes I don't know who is doing the painting, and he replied that's a great state to be.

Great day at my workshop yesterday. Finished a piece, at least till I decide to fuss some more. Separated diptychs, Reuven agreed that divided and with a small mat they are best and made a new start. So grateful to be able to have this workshop. Meeting my artist friends and working together.  We may continue in July!

I Want to Fly to the Castles in the Sky

Mixed Media

Acrylics Oils Oil Pastels Graphite Pencil

20" x 20"

Light cardboard

Don't know what came over me the other day! I was in the middle of an art-itude and was cleaning my palette of some dark grey with water and decided to pour it over like a milky wash. I didn't like the drips so with my roller went over the whole mess. Desaster! It was like something took over kept going with oil pastels, smudged with oil, and graphite pencil. Finally, put it aside.

Took it to workshop and discussed it with Reuven, who usually doesn't like to make suggestions referred me to an Israeli Painter by the name of Moshe Kupferman who uses flat painted areas to contrast busy sections

Diptych in Purples

Art is a rare pursuit where participants have to learn to ring their own bells.

Robert Genn

When working in oils I usually work one two or more pieces. This allows me not to get bored or wrapped up in one painting or in one section. Putting work aside and looking at it even after a few minutes often allows a fresh look.  Sometimes in my workshop when I take a coffee break, way across the room, and look at the work really from afar I also get a new perspective. So I worked the green diptych together with the purple one using the same color palette. Only the underlying collage pieces were different. The color palette is Azo Gold, as close as I could get, black, usually chromatic, white, and buff titanium. These were the colors given by my "bossy" instructor!

WIP
Each panel 6" x 18"
Oils on cut canvas
Collage
Digitally Framed

Collage Start

WIP

Still unseparated